Venanzio Rauzzini: An Italian Musician in Britain
نویسندگان
چکیده
منابع مشابه
Cortical plasticity in an early blind musician: an fMRl study.
Many studies have examined tactile perception and simple auditory perception in the blind, but none have previously investigated the neural basis of musical ability in this group. This topic is of particular interest because it has been suggested that early blind individuals may possess advanced musical skills (such as absolute pitch). Presumably, these skills could be the result of neural plas...
متن کاملMultimodal Musician Recognition
This research is an initial effort in showing how a multimodal approach can improve systems for gaining insight into a musician’s practice and technique. Embedding a variety of sensors inside musical instruments and synchronously recording the sensors’ data along with audio, we gather a database of gestural information from multiple performers, then use machine-learning techniques to recognize ...
متن کاملSigned total Italian k-domination in graphs
Let k ≥ 1 be an integer, and let G be a finite and simple graph with vertex set V (G). A signed total Italian k-dominating function (STIkDF) on a graph G is a functionf : V (G) → {−1, 1, 2} satisfying the conditions that $sum_{xin N(v)}f(x)ge k$ for each vertex v ∈ V (G), where N(v) is the neighborhood of $v$, and each vertex u with f(u)=-1 is adjacent to a vertex v with f(v)=2 or to two vertic...
متن کاملExperimental Robot Musician
Current research linking musical composition and computer science has traditionally focused on the performance through virtual musical instruments, such as within the area of electronic music synthesis using modern digital signal processing techniques. Synthesized sound, however, achieves only limited accuracy and expressive translation from actual performance gestures due to errors produced wh...
متن کاملLiminal States: Life as an Indie Musician on Taiwan
In this paper, I examine the liminal states of Taiwanese guitarist/composer Huang Wan-ting, particularly as these states articulate with similar liminal states of “indie music” and the island of Taiwan. I use the term ‘liminal’ in a non-ritual sense to refer to a structural position on the interstices of recognized roles and identities. In addition, I propose a second type of liminality: a posi...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
ژورنال
عنوان ژورنال: Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies
سال: 2014
ISSN: 1209-3696,1927-8284
DOI: 10.7202/1026567ar